Book:
Four Stories about the Human Face—Bull City Press, 2018
Short fiction:
“The Elizabethan Sonnet”—Columbia Journal, 2022
“Anton Chekhov”—Raleigh Review, 2021
“Heterosexuality”—Tiny Molecules, 2021
“Shame”—Arcturus, 2020
Chapter 12 of Collected Voices in the Expanded Field—11:11 Press, 2020
“‘The Charles'”—Cities: Boston anthology (Dostoyevsky Wannabe), 2020
“The New World”—Undeniable: Writers Respond to Climate Change anthology (Alternating Current Press), 2020
“The Transfiguration”—minor literature[s], 2019
“The Good Morrow”—Queen Mob’s Tea House, 2019
“St. John of Kuttenberg”—Spurl Editions, 2019
“The Triumph of Religion”—tragickal, 2018
“A Glorious History!”—storySouth, 2018
“The Sea”—minor literature[s], 2017
“The Late Baroque”—Entropy, 2017
Reviews:
“We’re Still Living in Don DeLillo’s White Noise“—Jacobin, 2022
“The Brutal Pessimism of Michel Houellebecq” (review of Michel Houellebecq’s Interventions 2020)—Jacobin, 2022
“David Foster Wallace Couldn’t Escape Neoliberalism” (review of David Foster Wallace’s Something to Do with Paying Attention)—Jacobin, 2022
“English Life After Empire” (review of Elizabeth Taylor’s Mrs Palfrey at the Claremont)—Jacobin, 2022
“Our Country Friends Is a Disquieting Vision of the Post-COVID America to Come” (review of Gary Shteyngart’s Our Country Friends)—Jacobin, 2021
“We Can’t Leave Society. We Can Only Change It.” (review of Tao Lin’s Leave Society)—Jacobin, 2021
RYAN NAPIER 